
He formed this speech with his lips many times before he could utter it. But when he did find spoken words for it, they came to him coherently, though slowly.
“How was this?—WAS IT YOU?”
Once more, the two spectators started, as he turned upon her with a frightful suddenness. But she sat perfectly still in his grasp, and only said, in a low voice, “I entreat you, good gentlemen, do not come near us, do not speak, do not move!”
“Hark!” he exclaimed. “Whose voice was that?”
His hands released her as he uttered this cry, and went up to his white hair, which they tore in a frenzy. It died out, as everything but his shoemaking did die out of him, and he refolded his little packet and tried to secure it in his breast; but he still looked at her, and gloomily shook his head.
“No, no, no; you are too young, too blooming. It can’t be. See what the prisoner is. These are not the hands she knew, this is not the face she knew, this is not a voice she ever heard. No, no. She was—and He was—before the slow years of the North Tower—ages ago. What is your name, my gentle angel?”
Hailing his softened tone and manner, his daughter fell upon her knees before him, with her appealing hands upon his breast.
“O, sir, at another time you shall know my name, and who my my mother was, and who my father, and how I never knew their hard, hard history. But I cannot tell you at this time, and I cannot tell you here. All that I may tell you, here and now, is, that I pray to you to touch me and to bless me. Kiss me, kiss me! O my dear, my dear!”
His cold white head mingled with her radiant hair, which warmed and lighted it as though it were the light of Freedom shining on him.
“If you hear in my voice—I don’t know that it is so, but I hope it is—if you hear in my voice any resemblance to a voice that once was sweet music in your ears, weep for it, weep for it! If you touch, in touching my hair, anything that recalls a beloved head that lay on your breast when you were young and free, weep for it, weep for it! If, when I hint to you of a Home that is before us, where I will be true to you with all my duty and with all my faithful service, I bring back the remembrance of a Home long desolate, while your poor heart pined away, weep for it, weep for it!”
She held him closer round the neck, and rocked him on her breast like a child.
“If, when I tell you, dearest dear, that your agony is over, and that I have come here to take you from it, and that we go to England to be at peace and at rest, I cause you to think of your useful life laid waste, and of our native France so wicked to you, weep for it, weep for it! And if, when I shall tell you of my name, and of my father who is living, and of my mother who is dead, you learn that I have to kneel to my honoured father, and implore his pardon for having never for his sake striven all day and lain awake and wept all night, because the love of my poor mother hid his torture from me, weep for it, weep for it! Weep for her, then, and for me! Good gentlemen, thank God! I feel his sacred tears upon my face, and his sobs strike against my heart. O, see! Thank God for us, thank God!”
“He slipt out of my arms while I was petting him,” she answered, “and disappeared under the hedges.”
They found him at a place where the avenue widened so as to let carriages pass each other. The little creature seemed quite changed. He had been ebulliently active; now he was dull and spiritless—seemed to be dazed. He allowed himself to be lifted by either of the pair; but when he was alone with Lady Arabella he kept looking round him in a strange way, as though trying to escape. When they had come out on the roadway Adam held the mongoose tight to him, and, lifting his hat to his companion, moved quickly towards Lesser Hill; he and Lady Arabella lost sight of each other in the thickening gloom.
When Adam got home, he put the mongoose in his box, and locked the door of the room. The other mongoose—the one from Nepaul—was safely locked in his own box, but he lay quiet and did not stir. When he got to his study Sir Nathaniel came in, shutting the door behind him.
“I have come,” he said, “while we have an opportunity of being alone, to tell you something of the Caswall family which I think will interest you. There is, or used to be, a belief in this part of the world that the Caswall family had some strange power of making the wills of other persons subservient to their own. There are many allusions to the subject in memoirs and other unimportant works, but I only know of one where the subject is spoken of definitely. It is MERCIA AND ITS WORTHIES, written by Ezra Toms more than a hundred years ago. The author goes into the question of the close association of the then Edgar Caswall with Mesmer in Paris. He speaks of Caswall being a pupil and the fellow worker of Mesmer, and states that though, when the latter left France, he took away with him a vast quantity of philosophical and electric instruments, he was never known to use them again. He once made it known to a friend that he had given them to his old pupil. The term he used was odd, for it was ‘bequeathed,’ but no such bequest of Mesmer was ever made known. At any rate the instruments were missing, and never turned up.”
A servant came into the room to tell Adam that there was some strange noise coming from the locked room into which he had gone when he came in. He hurried off to the place at once, Sir Nathaniel going with him. Having locked the door behind them, Adam opened the packing-case where the boxes of the two mongooses were locked up. There was no sound from one of them, but from the other a queer restless struggling. Having opened both boxes, he found that the noise was from the Nepaul animal, which, however, became quiet at once. In the other box the new mongoose lay dead, with every appearance of having been strangled!
On the following day, a little after four o’clock, Adam set out for Mercy.
He was home just as the clocks were striking six. He was pale and upset, but otherwise looked strong and alert. The old man summed up his appearance and manner thus: “Braced up for battle.”